|
Primary Colour | AE Prints | ||||||
Seq | Photographer | Title | Result | |||||
1 | Mike Stanley | Arlington Row, Bibury | ||||||
1 | Nick Pitt | Come On Michelle | ||||||
1 | Jodie Henderson | Fearsome | ||||||
1 | Gary Henderson | Kingfisher | ||||||
1 | Lyn Day | My Best Side | ||||||
1 | Terry Onslow | Neglected | ||||||
1 | Martin Dent | Rosie At The Mad Hatter's Tea Party | ||||||
1 | Geoff Astle | The Lodger | ||||||
2 | Nick Pitt | Blackbird Bathtime | ||||||
2 | Jodie Henderson | Catch Of The Day | ||||||
2 | Martin Dent | Censored | ||||||
2 | Terry Onslow | Chimney Stacks 2 | ||||||
2 | Geoff Astle | Dream Boat | ||||||
2 | Lyn Day | Speckled Wood On Leaf | ||||||
2 | Mike Stanley | The Troll Houses | ||||||
3 | Terry Onslow | Go | ||||||
3 | Lyn Day | In The Moment | ||||||
3 | Jodie Henderson | Little Owl | ||||||
3 | Mike Stanley | Old Town Of Stravanger | ||||||
3 | Geoff Astle | Peek-A-View | ||||||
3 | Nick Pitt | Swan | ||||||
3 | Martin Dent | When Is It My Turn | ||||||
4 | Terry Onslow | Carnival Girl | ||||||
4 | Mike Stanley | Expanding Family | ||||||
4 | Geoff Astle | Fill Her Up | ||||||
4 | Martin Dent | Speed! | ||||||
4 | Lyn Day | Summer | ||||||
5 | Terry Onslow | Converging Divergence | ||||||
5 | Geoff Astle | Lochside View | ||||||
5 | Mike Stanley | Arlington Row Resident | ||||||
5 | Lyn Day | The Old Granary | ||||||
5 | Martin Dent | View Through The Great Tithe Barn | ||||||
6 | Mike Stanley | Black Swan | ||||||
6 | Terry Onslow | Homeward Bound | ||||||
6 | Martin Dent | Irisis | ||||||
6 | Geoff Astle | Red Arrows | ||||||
6 | Lyn Day | Sunset Over Portland | ||||||
37 | ||||||||
|
Primary Monochrome | AE Prints | ||||||
Seq | Photographer | Title | Result | |||||
1 | Lyn Day | Caught In Time | ||||||
1 | Terry Onslow | Concentration | ||||||
1 | Mike Stanley | First Smile | ||||||
1 | Geoff Astle | Swindon | ||||||
1 | Martin Dent | Tearful Rosie | ||||||
2 | Mike Stanley | Family Line | ||||||
2 | Geoff Astle | It's Over | ||||||
2 | Terry Onslow | Men At Work | ||||||
2 | Martin Dent | Rosie | ||||||
2 | Lyn Day | Wareham Quay | ||||||
3 | Terry Onslow | Bleak Midwinter | ||||||
3 | Mike Stanley | Church | ||||||
3 | Martin Dent | Rosie Lee | ||||||
3 | Geoff Astle | St Davids | ||||||
3 | Lyn Day | Time Machine | ||||||
4 | Terry Onslow | Chimney Stacks | ||||||
4 | Lyn Day | Power On | ||||||
4 | Mike Stanley | Richard | ||||||
4 | Geoff Astle | The Coulins | ||||||
5 | Terry Onslow | Past Farming Methods | ||||||
5 | Geoff Astle | Silver Screen | ||||||
5 | Lyn Day | The Old Tree | ||||||
6 | Terry Onslow | A Long Walk Home | ||||||
6 | Geoff Astle | Winter Walk | ||||||
24 | ||||||||
"An image is considered to
be monochrome if it (in addition to a straight black and white image) is a toned black and white image with or without different shades. |
||||||||
|
Advanced Colour | AE Prints | ||||||
Seq | Photographer | Title | Result | |||||
1 | John Day | A Pigeon Called Dyson | ||||||
1 | Anna Stowe | Autumn Sunrise | ||||||
1 | Gordon Packer | Lacock Cat | ||||||
1 | Terry Walters | Louisa Sunset | ||||||
1 | Shirley Johnson | Murray Tower | ||||||
1 | Robert Albright | On Hell's Threshold | ||||||
1 | John Parsloe | Red Ground Thrush | ||||||
2 | John Day | A Church In Metz | ||||||
2 | John Parsloe | Bald Eagle | ||||||
2 | Robert Albright | Salt Mound, Sahara Desert | ||||||
2 | Anna Stowe | The Pier And The Rocks | ||||||
2 | Terry Walters | What Is In The Dark | ||||||
2 | Shirley Johnson | White Orchide | ||||||
2 | Gordon Packer | Wilton | ||||||
3 | Terry Walters | Asylum Stairs | ||||||
3 | Robert Albright | Civil War Judge | ||||||
3 | Gordon Packer | Lacock | ||||||
3 | John Parsloe | Leopard | ||||||
3 | Anna Stowe | Silbury Hill | ||||||
3 | Shirley Johnson | Silver Birch Town Centre | ||||||
3 | John Day | Standing Out From The Crowd | ||||||
4 | Shirley Johnson | Flower Study | ||||||
4 | Gordon Packer | Green Doors | ||||||
4 | Anna Stowe | Haven | ||||||
4 | Robert Albright | Louise Gazing | ||||||
4 | Terry Walters | Number 6 | ||||||
4 | John Parsloe | Road Runner | ||||||
4 | John Day | Tiger | ||||||
5 | Anna Stowe | Andante | ||||||
5 | John Day | Another Small Ripple In Time | ||||||
5 | Terry Walters | Danny Deciding | ||||||
5 | Robert Albright | Do Come In | ||||||
5 | John Parsloe | Gibbon | ||||||
5 | Shirley Johnson | Splash Of Red | ||||||
6 | John Day | A Particular View Of A Dead Tree | ||||||
6 | Shirley Johnson | Boat 2 | ||||||
6 | Robert Albright | Lone Rider | ||||||
6 | John Parsloe | Meerkat | ||||||
6 | Anna Stowe | Old Master | ||||||
6 | Terry Walters | Wild Woman | ||||||
40 | ||||||||
|
Advanced Monochrome | AE Prints | ||||||
Seq | Photographer | Title | Result | |||||
1 | Shirley Johnson | Dodgy Man | ||||||
1 | Terry Walters | Bath Photographer | ||||||
1 | John Day | Girl On A Bicycle | ||||||
1 | Robert Albright | High Noon | ||||||
1 | Anna Stowe | One On A Hill | ||||||
2 | Terry Walters | Danny Imposing Mono | ||||||
2 | Robert Albright | Entrance To A Moor's House | ||||||
2 | Anna Stowe | Grand Entrance | ||||||
2 | Shirley Johnson | Heart Of Love | ||||||
2 | John Day | Voyeur | ||||||
3 | Terry Walters | Evie Tipping Mono | ||||||
3 | Robert Albright | Locomotive | ||||||
3 | John Day | Man With A Temporarily Unwaxed Moustache | ||||||
3 | Shirley Johnson | Water Music By Handle | ||||||
4 | Robert Albright | Backyard | ||||||
4 | Terry Walters | James Mono | ||||||
4 | John Day | Prowl | ||||||
4 | Shirley Johnson | Solitude | ||||||
5 | Robert Albright | It Used To Be Fun | ||||||
5 | John Day | Monument To God | ||||||
5 | Shirley Johnson | Mysterious Man | ||||||
5 | Terry Walters | RosieJane | ||||||
6 | John Day | Brick Exhibition | ||||||
6 | Shirley Johnson | Smoke Cover | ||||||
6 | Robert Albright | Townscape Clouds | ||||||
25 | ||||||||
"An image is
considered to be monochrome if it (in addition to a straight black and white image) is a toned black and white image with or without different shades. |